Ram your head against the wall until you begin to realize it hurts. Make tremendous contact with your toe against the leg of your bed, and wail until you’ve found an antiseptic—if you haven’t watched James Cameron’s sci-fi-decade-in-the-making adventure yet. But before that, read this page.
How do you feel when you come out (rather, force yourself out) of a hall that’s just shown you a Terminator, Spiderman, Batman, Lord Of The Rings, Harry Potter potboiler? Let’s face it. They’re all not brilliant films, but they stay with you for LONG by virtue of the laughs they give you, the awe they strike in you and your capitulation to the consequence of the experience. If you were thinking Avatar is another one of those movies, YOU.ARE.WRONG.
To dismiss Avatar (with a casual glance at the posters in your street) as a mere pay-for-the-‘special effects’-film could cause you danger. It is a blatant indicator of chronic myopia. If you belong to the category, screw yourself. If you don’t, you might consider reading on.
If you’ve been atleast remotely connected with whatever remotely similar to remote Hollywood, you’d have realized by now that Avatar was ‘the cinematic event waiting to happen’. Prior to its worldwide release on 18th Dec 09, the world waited with bated breath in anxiety to welcome amid their cinema a revolution, while Mr. Cameron was gloating with pretty women to cameras at premieres across the world. Yes, he could smile before the first frame took shape on the silver screen. He had made a masterpiece. A jewel of such ineffable lustre, a gadget entangled with the chasms of reality and human imagination, a film of whose stupendous prowess and quality you probably will never again see as long as you are here with us.
In the film (I know this is gross impertinence, but this IS a ‘film’ review) set in 2154, the U.S. Navy is sent to a distant earthly body, Pandora, to extract from its depths a mineral of immense quintessential value. Unobtainium, it’s called. So all goes well, with a fairly large crew taking off to the distant natural satellite with elaborate arrangements put in place for this rather bizarre undertaking. Since humans cannot breathe on Pandora, they make their genetic counterparts—Avatars—which physiologically are of the native Na’vi clan. So our Homeric dudes shut themselves up in spherical tubes and the next thing they know, they in the form of their blue-bodied counterparts are flying terrifying dragons or hushing through the dense forests of the visually numbing Pandora. Our protagonist, Jake Sully, is a retired ex-Marine who’s lost his legs in the war but signs up for the mission to fill the boots of his brother, post the latter’s untimely death. Thanks to his pathetic omniscience of anything to do with the mission or its scientific nuances, he is assigned the rather comfortable role of having to coalesce with the native Na’vi civilization and gain their trust, in order to gain THEIR help for the humans’ commercial interests in the land. But, poignantly, it turns out the largest deposit of the mineral these folks are after happens to be resting under the sacrosanct Na’vi embodiment of divinity, not to mention the packed civilization around it. But mercenary by nature, Col. Miles Quaritch chooses dynamites and missiles over wisdom and conciliatory talks. The ‘sky people’ therefore begin to dump their inappropriate forms of tyranny upon the innocent Na’vi. Sully is moved. And he begins to question his own loyalties. Should he leap back and launch a few missiles savagely himself? Or should he inspirationally spearhead a mission to saving the Na’vi skin and blood?
Visually extravagant like never before, Avatar sets path breaking standards in cinematography. Watching it in glorious IMAX 3D will make you forget the rest of the world—during the film and even days after watching it. It’s been a week since I watched it and I can still write this. The thing with Avatar is, it is not merely a wow-those-scenes-were-just-awesome product. It is a brilliant FILM. It’s got a breathtaking story, stunning cinematography, terrific screenplay, inspired performances from the cast and crew—it’s James Cameron through and through. 2 hours and 40 minutes in the hall without a break. You’ll curse that. For being too short a time span for a once-in-a-lifetime experience. Cameron blends panache with passion and puts forth one of cinema’s best ever attempts yet.
Of the cast, Matt Gerald and Dileep Rao as Lyne Wainfleet and Dr. Max Patel respectively go unnoticed. That’s because they’re perfect. Joel David Moore and Giovanni Ribisi as the astute biologist Norman Spellman and the shamless mining authority Parker Selfridge respectively add value to their characters. Michelle Rodriguez as the bold young Marine pilot Trudy Chacon leaves a lump in your throat with her act. Spellbinding. So does legendary actress Sigourney Weaver as the ingenious biologist Dr. Grace Augustin, the brain behind the entire Avatar idea. She sinks her teeth deep into the role with the flawless ease of a natural middle aged assiduous woman in curious anticipation of any biological ‘samples’. Boorish, tyrannical Colonel Miles Quaritch played by Steven Lang is one guy you would want to forget. That’s primarily because he portrays his antagonistic role to insane perfection. Little known Aussie Sam Worthington playing Jake Sully, appearing in almost every frame of the film, is sullen and nearly impassive. But eventually, it looks like it's all in proper place. The soul of this film, however, is the Na’vi princess Neytiri played sparklingly well and to great earnest by Zoe Saldana. She infuses a unique charm into this ugly-looking woman and gosh, she is unnervingly captivating. You cannot but force to accept the sheer magnetic power of Cameron, making his cast and crew gallop to thresholds they wouldn't even have imagined to exist. This is a high class effort from a high class director. Long live Cameron.
Avatar is the finest film of our times. We must bow to the caprices of destiny for having placed us in our era to get to witness and applaud films like these. Avatar makes you understand there is a lot more to cinema than you think there is. It sucks you into its realms and gives you a ride that will resurface and numb you in your fantasy, dreams and reality.
Rating:- 5/5
P.S. Shut the page now. Book your tickets for IMAX 3D. Good luck for getting one till February.
